The work

Two lives, reconstructed.

Both films began as oral histories with kūpuna. Neither could have been made from the photographic record alone — most of what you see was researched, then rebuilt.

What you can watch here are excerpts. The complete films are screened in a Discovery conversation, alongside the research file and the source list behind every reconstructed frame. If you would like to see one in full, ask.

23 scenes · Oʻahu · 1932–1945

Paulette McLain

Born in Kaimukī in 1932. A trolley to Chinatown, her grandfather's lap, and a Sunday morning in December 1941 when a pilot waved from the sky.

Excerpt · 5:46

Excerpt from the finished film. Every film opens and closes by stating what was made and what was not.

Stills from the film. Visuals AI-generated; interview audio unaltered.

The first half

Thirteen of twenty-three scenes.

  1. 01Born in Kaimukī, 1932
  2. 02The Big House
  3. 03Tutu Man's lap
  4. 04Trolley to Chinatown
  5. 05The fish market
  6. 06Barefoot to Kūhiō Beach
  7. 07Waikīkī, before
  8. 08Slippers on inside
  9. 09Sunday morning, December 7, 1941
  10. 10The pilot waves
  11. 11Muffled in the distance
  12. 12“We've been attacked”
  13. 13From the garage roof
25 scenes · Oʻahu · 1960s–1970s

Cy Kalama

A hukilau childhood, a summer on Popoiʻa, and the day three trucks ran the gate at Kāneʻohe Marine Corps Base to take a stand at Mōkapu.

Excerpt · 7:10

Excerpt from the finished film. Every film opens and closes by stating what was made and what was not.

Stills from the film. Visuals AI-generated; interview audio unaltered.

The first half

Thirteen of twenty-five scenes.

  1. 01Aloha. Cy Kalama
  2. 02The hukilau
  3. 03A summer on Popoiʻa
  4. 04Living off the ocean
  5. 05The first swimming pool in Hawaiʻi
  6. 06Eleven kids, one bedroom
  7. 07Mama Lani, the glue
  8. 08Papa, jack of all trades
  9. 09After the bars closed
  10. 10The land starts to disappear
  11. 11The call goes out
  12. 12This is my kuleana
  13. 13The plan — Alden and Uncle Sam Lono
Behind them

Almost none of this was photographed.

A hukilau in the 1960s. A trolley on Waiʻalae Avenue. A kitchen on a Sunday morning in December. These were ordinary days, and nobody was documenting them — which is exactly why they had to be rebuilt rather than found.

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