No free spec work, and no six-figure decision made on a promise.
Before quoting a production we need to see what actually exists. Most organizations have more than they think, in worse condition than they hope.
If you stop here, you keep the treatment, the interviews and the clip. There is no obligation to continue, and the fee is credited in full if you do.
A single film on the founding. The right choice when the milestone is further out, when the budget needs to be proven before it is expanded, or when one story is simply the story.
The full anniversary program. Most clients think they are buying one film. They are buying a year of material and a permanent archive.
Built backwards from your milestone date. Research is the part that cannot be rushed without the quality showing, so the schedule starts earlier than people expect.
Most of these are cut from work already done for the hero film, which is why the package costs a fraction of commissioning them separately.
Premiere-grade, for the anniversary event, the annual meeting, the lobby and the website.
Sixty to ninety seconds each — a full year of social content, already made.
Silent, continuous, for reception, visitor centers and retail activations.
Two minutes for hiring and onboarding — why this place is worth joining.
Built for capital campaigns, scholarship programs and board presentations.
Photographs, documents and artifacts scanned, described and indexed. Yours permanently.
Preserved and transcribed, beyond whatever the film uses. This cannot be created later.
Screening master, program notes, press stills, and a short making-of.
Fifty years or more, with an anniversary inside the next three years and a founding nobody photographed.
Where someone senior cares about the founder, and the generation that remembers him is getting older.
Running capital campaigns, where the film moves donors and the return is measurable.
Commissioning a legacy privately, for the people it belongs to rather than for an audience.
You own the finished films and every cutdown outright, in perpetuity, for any use.
Your digitized archive is yours. We keep no exclusive claim over your own material.
The interview recordings are yours, subject to each interviewee's consent terms.
What you give us is used for your film and nothing else. We do not train anything on it, and we do not reuse it on another client's project.
Three weeks, a story treatment, and a finished clip built from your own material — before anyone commits to a production.